"RULES for ENSEMBLE PLAYING"
by Walter Bergman (1903-1988)
THE THINGS YOU SHOULDN'T DO
by Walter Bergman (1903-1988)
THE THINGS YOU SHOULDN'T DO
- Never worry whether you play the same piece as the others; they will soon find out.
- Stop at every repeat sign, and discuss in detail whether to take the repeat
- If you play a wrong note, give a nasty look to one of your partners.
- Keep your fingering chart handy. If, in the middle of the piece, you don’t know the fingering of a note, look it up, try the note. You can always catch up with the others.
- Carefully tune your instrument before playing. That way, you can play out of tune all night with a clear conscience.
- Take your time turning pages – it gives everyone a nice rest.
- The right note at the wrong time is a wrong note (and vice versa)
- Rests are difficult, especially on the recorder. If you are not sure of their lengths, ignore them.
- If everyone gets lost except you, follow those who get lost.
- Strive to get the maximum NPS (notes per second). This way you gain the admiration of the incompetent.
- Markings for slurs, dynamics, and ornaments are only there to embellish the score. Ignore them. If a passage is difficult, slow down. If it is easy, speed it up. Everything will work itself out in the end.
- If you are completely lost, stop everyone and say, "I think we should tune".
- "Blessed are those who have not perfect pitch, for the kingdom of music is theirs".
- If the ensemble has to stop because of you, explain in detail why you got lost. Everyone will be very interested.
- A true interpretation is realized when there remains not one note of the original.
- When everyone else has finished playing, you should not play any notes you have left over. Please play those on the way home.
- A wrong note played timidly is a wrong note. A wrong note played with authority is an interpretation.
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